SPECIAL SPOTLIGHT: A MUPPET FAMILY CHRISTMAS

As a kid, one of my favorite things about the days of school vacation leading up to Christmas was watching cartoons and sitcom reruns on weekday mornings.  The majority of them were Christmas-themed episodes, and not only was it a delicious privilege to watch these normally unavailable shows, reserved only for the occasional sick day or summer vacation, seeing that the TV programmers has specially selected to air Christmas episodes always gave me the feeling that the holiday was truly everywhere; pervasive in the best sense of the word.

This is how I first saw A Muppet Family Christmas, being rerun on some random channel one Christmas Eve morning.  I stumbled upon it while channel surfing and was amazed that up until then I’d never seen this special. My sister and I loved the Muppets growing up: we religiously watched Muppet Babies on Saturday morning and rented The Muppets Take Manhattan on a steady rotation.  And yet somehow this greatest of Muppets specials was never a part of our holiday traditions. It may be due to the general scarcity of the special, which remained difficult to find for years and even now only exists in an edited form (scenes were removed after the original broadcast due to song rights issues). 

Falling in love with the special after that first viewing, I eventually tracked down a used VHS copy, which is the same way I still watch it every Christmas Eve morning (it's now available on DVD, but as long as the VHS still works I figure why fix what ain’t broke?  Besides, VHS cassettes have a big nostalgia factor for me).

Any Muppets fan or child of the 80s should adore A Muppet Family Christmas because it brings together the Muppets, Fraggle Rock and Sesame Street. It even features a brief cameo by Jim Henson himself, not long before he passed away.  Not only is it dripping in Christmas spirit, it’s the ultimate tribute to Henson and his beloved characters.  There’s such a thrill in watching the Swedish Chef plot to cook Big Bird, or Kermit travelling to Fraggle Rock (via an entrance in the farmhouse basement).  The Muppet Babies even make a very brief appearance on a projector screen (their scene/musical number is one of the ones that was sadly cut).  This TV special is truly special, not just because of the Christmas theme but also the sense of worlds (in the form of separate TV shows) overlapping.  Not since the Jetsons met the Flinstones have I gotten such a thrill from seeing different characters interact.

The storyline is incredibly simple: all of the aforementioned Muppet characters gather together on Christmas Eve at Fozzie Bear’s mother’s farmhouse.  A blizzard hits, causing Miss Piggy's arrival to be delayed and Kermit to worry.

There are several running jokes and plotlines that have become Christmas lore for me and an entire generation.  There’s an icy patch at the front door that, despite the constant warnings, everyone slips on.  Fozzie’s mother is forced to think of increasingly creative places for her endless flow of guests to sleep (including the bathtub and eventually hanging on hooks on the wall—much to Gonzo’s delight).  There are musical numbers throughout, and the special ends with an amazing Christmas carol medley, composed of just about every Christmas song you can imagine and sung by the assembled cast, a huge crowd of childhood favorites all crammed into one room.  It really feels like a captured moment in time, like someone’s home movie, and even though I watch it year after year, it’s like a special, one-time event each time.

Sadly this year we lost actor Gerard Parkes, who played Doc in Fraggle Rock and, other than Henson’s cameo, is the sole human in the special.  He starts out as the curmudgeon who has rented the farmhouse for some peace and quiet, only to see it invaded by a steady stream of weirdos.  But of course he comes around, won over by the Muppets’ charm, and ends up first dressed first as a footman accompanying Miss Piggy’s sleigh during her dramatic entrance and then as Santa Claus himself.  Parkes’ death will make this year’s viewing rather bittersweet.

If I could chose one TV world to spend Christmas in, it would have to be that snow-bound farmhouse.  Sure, it’s crowded and a bit chaotic, but also incredibly cozy and the love and sense of surrogate family feels so genuine and powerful.  Plus, those Muppets really know how to carol!

Merry Christmas to All—and watch out for that icy patch!

CLOSE-UP ON CHRISTMAS DECOR: THE MARY TYLER MOORE SHOW EDITION

One of my favorite things about holiday episodes is the decorations—I just love seeing how set designers deck the halls of our favorite sitcom characters.  I love it when the decorations are unrealistically lavish, and I also love it when the décor is more recognizable and grounded in reality.  This is the first in a new series of detailed posts closely examining the holiday decorations found in some classic TV sitcoms.  And when I say detailed, I mean detailed—settle down for a long post!

Of course I have to start with Mary Richards’ apartment on The Mary Tyler Moore Show.  Sitcoms like I Love Lucy and The Mary Tyler Moore Show glamorized apartment living for me as a child, so they can be blamed for the fact that I now shell out a ridiculous amount of monthly rent for a tiny NYC apartment (the square footage of New York City apartments is the TV sitcom’s most lasting and egregious falsehood). 

If I had to choose just one TV apartment to inhabit, it would Mary Richards’ Minneapolis abode (I’m talking about her original studio apartment from the first few seasons, and not the larger, more modern one she moved into later).  From my “child of the 80s” perspective the 1970s was not a great decade in terms of aesthetics, especially for fashion and interior design.  But Mary’s apartment has a timeless quality (with a few notable exceptions, such as the swath of shag carpeting).  There are so many charming architectural and design elements: the sunken living room, the potbelly stove, the balcony and, most famously, the gold letter “M” on the wall.  Of course for my first apartment I got my own gold letter “M” and have had one in every subsequent apartment, a talisman that adds just a bit of sitcom to my life.

Mary’s apartment is enviable in any given episode, but in the Season1 Christmas episode, “Christmas and the Hard-Luck Kid II,” it really shines.  The character of Mary Richards loves Christmas and this is evident in her decorating of not only her apartment but her office as well.  So after this rather long preamble, let’s delve in and take a close look at Mary’s Christmas decorations!  Click the pics to see larger versions, so you can take in all of the glorious details.

In the above picture we see Mary finishing up her (perfectly triangular!) tree.  Rhoda sits nearby, refusing to help, as she just got done decorating an entire department store, via her job as a window dresser.  Mary’s tree is the centerpiece of the apartment, perfectly positioned in the middle her of balcony windows.  It’s got the retro large-size lights rarely seen today, and Mary opts for a faux-snow white tree skirt.  Her gifts are wrapped in bright jewel tones—and in this shot, underneath the tree, we see Rhoda’s gift that she unwraps later in the episode.

In this shot we also see garlands and Christmas lights, very perfectly and evenly spaced (which suits Mary’s perfectionist persona).  How one chooses to display their Christmas cards is also very telling, and here we see Mary has opted to attach her many cards to long stretches of vertical ribbon placed on the wall.  My favorite element of all is the Santa head attached to the coat rack by the front door—such a cute touch!

In this next shot (above) we see the most famous decorative element (famous in my mind, after so many repeat viewings of this episode): the front door wrapped like a Christmas present!  This is such a clever way to decorate one’s apartment and one year my sister tried to replicate this look on her own bedroom door, with mixed results.  Mary opts to put the bow of the “present” on the inside door and a wreath on the outside. By the way that’s Phyllis, blocked by Christmas presents, entering the apartment in this scene.

Here we see Rhoda and the wrapped door up close and can admire the geometric Christmas tree pattern of the paper.  Also we see a few of Mary’s aforementioned Christmas cards close-up.  It makes sense that popular, perky Mary would send and receive a lot of Christmas cards (cards from her ex-boyfriends alone could fill the apartment).

This shot shows Mary’s stocking, hung by the fire (or in her case, near her potbelly stove-fireplace).  I’m a bit surprised that Mary opted for a plain, ordinary stock as opposed to a decorative Christmas stocking.  Rhoda is also critical of Mary’s stocking choice—she suggests pantyhose, as they hold more.

I just love how in this shot you can see the reflected Christmas tree and ornaments in the round mirror behind Mary.  I always coveted that tall dresser with the mirror on top—though I’ll take a pass on that ugly, 1970s-style sunflower mug.

In this shot we get a glimpse of a rarely-seen wall in Mary’s apartment (behind her pullout couch).  It gives the sense that Mary decorates all areas of her apartment, as evidenced by the beautiful poinsettia plant and retro Santa Claus figurine behind her.  That same Santa will pop in a couple other places—clearly Mary is a fan.  This shot also gives us a close-up view of that little lion picture on an easel that was always seen in the apartment.  I always imagined it was some sort of representation of “The Lion and the Mouse” Aesop fable (I think that’s a mouse by the lion), but who knows?  It’s a nice little tchotchke, regardless. 

Now we get a look at Mary’s kitchen, as she sadly eats her peanut butter and jelly sandwich on Christmas Eve (she has to work and has no time for a real dinner).  Once again there are nicely draped garlands and a version of that same Santa seen behind the couch.  There’s also a very retro elf in a sleigh—Mary was decades ahead of that whole Elf on the Shelf trend.

That wraps up the Christmas decorations in Mary’s apartment, so now let's take a quick look at her office.  Mary's love of Christmas decor carries over to her desk and a few spots in the WJM news office.

The episode starts with this look at Mary's lavishly decorated desk-- a lack of cubicle or office does not dissuade Mary from decorating.  That's the sort of Christmas spirit I admire!  Mary's desk decor is very retro, from those red felt reindeer, paper bells and snow blanket.  And everybody's favorite Santa figurine makes his third appearance, perched on the edge of Mary's desk.  In the episode's most hilarious moment, Mary wields that same Santa as a would-be weapon against intruders (intruders that turn out to be her co-workers surprising her).  There's also a fun, retro "Merry Christmas" sign on the wall behind Mary.

In those shot we get a close-up view of the little tree on Mary's desk.  I always thought it was very clever to use a gift-wrap bow as the tree-topper, and that it's pink, a non-traditional Christmas color.  Mary is upset in this shot because she's being guilted into working on Christmas Eve by her co-worker-- don't worry, the episode of course has a happy ending!

Finally, as Mary rushes out the office door, we get a glimpse of a chalkboard adorned with cards and the message "Merry Christmas Gang."  You just know Mary wrote that message and put up those cards in her ongoing efforts to spread Christmas cheer.  Over the years I've gleaned a lot of Christmas decorating tips from this episode, from the gift-wrapped door to the bow-topped tree.  We should all be so lucky to have a friend and co-worker as filled with the Christmas spirit as Mary Richards, so in her words: Merry Christmas, Gang!

FILM FOCUS: MERRY IN-LAWS

 

I don’t know how or why 2014 became the Year of Watching Shelley Long Movies—but it did. Troop Beverly Hills, which stars the Divine Ms. L, is one of the cornerstones of my childhood, but beyond that I could never properly call myself a Shelley Long fan. It was only after Cheers was added to Netflix that I started to fall in love, first with the character of Diane Chambers and then with Ms. Long herself.  So this past year I’ve been seeking out her films, both from the height of her popularity in the late 80s/early 90s and her more recent TV movies (how the mighty have fallen, I know). In 2014 I watched Outrageous Fortune, Strawberry Summer, and A Holiday Engagement. 

While making a list of Ms. Long’s films (do I even need to say at this stage of the game that a list was involved?!) I was pleasantly surprised to see several Christmas movies.  Someday I’ll get to writing about the aforementioned hybrid Thanksgiving-Christmas movie A Holiday Engagement, which Nick and I both liked so much that we went out and bought it after viewing.  But I was most excited to see Merry In-Laws, which thanks to the wonders of TIVO I was able to watch for the first time this year.

Prior to watching, I knew nothing about Merry In-Laws save the title and the fact that Shelley Long was in it.  But I correctly guessed that it was about a woman who ends up engaged to the son of Santa, and that Mrs. Claus (one half of the titular merry in-laws) would be played by Shelley Long.  Made-for-TV movies just love the idea of Santa offspring—everyone from Jenny McCarthy to Kelsey Grammer have played Santa’s spawn over the years.  In Merry In-Laws, Santa’s son is a kindly schoolteacher who proposes to a pretty astronomer.  Because: science = skepticism!  The stage is now set for a showdown between the true believer Klaus Clan and Lady Astronomer’s uptight family.

The plot is really secondary to several other important factors, including the amount of Christmas decorations that appear.  Things start out rather lackluster but once Mr. and Mrs. Claus show up, they deck the halls real good.   Santa is played by George Wendt (who I saw also in the role of Santa in the Broadway musical version of Elf).  And of course Mrs. Claus is played with bubbly enthusiasm by Shelley Long.  Wendt and Long both starred on Cheers back in the day, and I couldn’t help but think of this as some weird alternate universe where Diane ran off with Norm and they gained magical Christmas powers.  This version of Santa and Mrs. Claus are rather affectionate—if not downright randy, and there are several scenes of them pawing at each other and giggling suggestively.  Yeah.  I know.

The movie’s best scene, however, is when Mrs. Claus and her future daughter-in-law bake cookies together.  Lady Astronomer is a terrible cook (we know this because she burns a couple meals prior to this scene), so she is reluctant to bake.   However Mrs. Claus insists that all she needs to make a successful batch of cookies is a little song and dance.  They then proceed to adorably prance around TO THE GREATEST SONG EVER.

Seriously, I have found my anthem for life.  Once the offbeat (yet Christmassy!) tune began to play I was instantly hooked, though doubtful it was a real song and not some random tune made up for the movie.  “Let Siri identify it,” insisted Nick (who worships a god named iPhone) and much to my amazement, Siri proclaimed that the song in question is “Can’t Stop Thinking About Christmas” by Electric Honey.  I can’t stop listening to this song—I love slightly off-kilter Christmas music and this fits the bill.  Plus the lyrics basically spell out my blessing and curse: an obsession with Christmas.

As you can imagine, by the end of the movie the skeptical science family is eventually won over by the merry in-laws, but only after Lady Astronomer thinks her fiancé is cheating on her with an Asian elf.  Merry In-Laws isn’t the greatest made-for-TV movie I’ve ever seen, but it’s certainly a fun way to help pass the time while you wrap presents or work on your cards (you are mailing out cards this year, right? I haven't received mine yet.  Seriously, the clock is ticking).  It’s worth it for the kitchen dancing scene along, and Shelley Long is really charming in her role of horny Mrs. Claus.  Luckily for you, it’s available for cheap on DVD and I’m sure will be running on TV at least once more this holiday season, so keep an eye out!

COMMERCIAL BREAK: CHRISTMAS 2014

Christmas is the one time of year that I actually love watching commercials.  I almost begrudge our TIVO, which the other 11 months of the year saves us from a boring litany of car advertisements, but in December potentially blocks all of the delightful holiday ads that I so enjoy.

Rest assured, I’ve managed to absorb many a Christmas commercial this holiday season (via YouTube, the TVs at our gym, and a live viewing of the Macy's Thanksgiving Day Parade).  Here’s a roundup of some new and old favorites.

It seems that British department store John Lewis is determined to make everyone sob around Christmas.  Last year I was obsessed with their “The Bear & the Hare” animated sobfest.  Though I'm not as crazy about the song choice, this year they once again bring out the big guns of cutsey animals, sentimentality and pop music.  This ad just kills me—KILLS me—in all the right ways.  Especially that twist ending.

This season I've always really enjoyed Target's latest holiday offering, set to the delightful song "It's A Marshmallow World."  I'm a sucker for anything even remotely Alice in Wonderland-related, and this is a delightful mashup of Alice, Christmas, and some childhood icons in the form of Barbie and the Teenage Mutant Ninja Turtles. 

Speaking of childhood icons, I was pleasantly surprised when I saw this Honda ad over the aforementioned Thanksgiving break.  It's a clever preying-upon of 80s nostalgia-- and a somewhat depressing revelation that my age bracket is now Honda's chief demographic.  I would have preferred She-Ra or even Mumm-Ra from Thundercats, but this ad makes great  use of Skeletor's signature screech.

Finally, let's watch a couple of "retro" Christmas commercials from that magical period of time known as the 1990s.  I became very interested in actress-singer Lena Horne this past year after watching a rerun of A Different World in which she guest starred.  Some googling led me to this Gap Christmas commercial that Ms. Horne did back in ye olde 1997.  I appreciate the stripped-down aesthetic, neutral color tone and jazzy beat that nevertheless still conveys the holiday spirit:

Finally, another favorite of mine has always been this Campbell's soup ad, which must be popular because it ran during December for years.  It's cutesy-cozy in the best way, and despite the slightly creepy look the kid gives at the end, if you're not craving chicken noodle soup by the end of it I question your humanity (or at least your appetite):

We've really covered the Christmas commercial bases here, from lovesick penguins to emaciated evil warlords, so I think it's time now to return to our regularly scheduled programming.  But before you reach for your DVR remote to zip past the commercials this December, maybe take a moment and actually watch a few.  You may be pleasantly surprised!

TROPE TRACKER: GOTTA HAVE IT TOY

Watch as many holiday-themed TV episodes as I do and you’re bound to start noticing some recurring themes.  When I started to actually keep track and notate my holiday viewing, I created my trope tracker, identifying the shared plot points that crop up from show to show.  You could view these tropes as sheer laziness on the part of TV writers, but I’ve always found them rather comforting, lending a sense of continuity and familiarity to decades worth of TV programming.  Rather than just update the blog’s trademark trope tracker as I always do, this Christmas season I’ve decided to spotlight and more closely examine a few of the biggest Christmas TV tropes.

Definitely in the top 25 Christmas TV Tropes list is the “Gotta Have It Toy.”  This plot point is simple and well-trod (because duh = trope): a child desires the season’s hottest fictional toy, leading their parent/guardian/aunt/uncle/whoever to go to great lengths (usually at the last minute, on Christmas Eve) to acquire it.  This is a trope that springs from real life; in the recent past Cabbage Patch dolls and Tickle Me Elmos have inspired toy store stampedes and countless news stories both decrying and feeding into the idea of an annual must-have Christmas toy.

Perhaps the most infamous example of this type of holiday story is the 1996 Arnold Schwarzenegger film Jingle All the Way.  Jingle All the Way is by no means a good Christmas movie, but it’s not the worst way to spend 1 hour and 35 minutes this December, either.  The story is one improbable slapstick scenario after another, as Arnold attempts to get his hands on a Turbo Man action figure for his son (played by notoriously terrible child actor Jake Lloyd, of Anakin Skywalker fame).  At the time of its release the filmmakers were criticized for releasing a real-life Turbo Man tie-in toy, the sort of cheap commercialization that the movie was meant to be spoofing.

Over the year many TV shows have also embraced the Gotta Have It Toy storyline, some more successfully than others. I’m always especially interested in seeing what toy sitcom writers come up with to be the star of the season. In the short-lived Gene Wilder sitcom Something Wilder, it’s a “Mr. Monster” doll that’s in demand.  For Family Matters it’s a “Freddy Teddy”—apparently the most popular toys are also the most alliterative. 

Just Shoot Me! offered up “How the Finch Stole Christmas,” a fabulous episode with just about every tried and true Christmas storyline, including a battle over a “Sneezing Charlie” doll.  Mya wants one of the hard-to-get dolls for a poor child she mentors, but her rich dad has bought them all up for his equally rich clients.  Mya gets her revenge by rigging up a hidden microphone and convincing her dad the talking dolls are possessed and angered by his lack of Christmas spirit, leading him to hand them over to needy kids (except for one, which he has disassembled and buried in the desert).

In the Frasier episode “Frasier Grinch,” the titular Frasier Crane jumps through hoops on Christmas Eve to buy educational toys for his visiting son, only to learn at the last minute that what Frederick most desires is the season’s hottest item, the Outlaw Laser Robo Geek (which Frasier was snobbishly dismissive of earlier in the episode).  All seems lost until Frasier opens his own present from his prescient father, Martin, which is an Outlaw Laser Robo Geek for him to gift to Frederick.

“Moroccan Christmas,” a Season 5 episode of The Office, is not a particular favorite of mine, but it does put a nice O. Henry twist on the Gotta Have It Toy trope.  The episode’s B-story involves Dwight buying a stockpile of that year’s top toy and then re-selling it to desperate dads for outrageous prices at the office Christmas party.  The toy in question is “Princess Unicorn,” a Barbie-esque princess with an ungainly unicorn horn protruding from her forehead (and yes, this is one Gotta Have It Toy that I fully see the appeal of!). 

Sad-sack office worker Toby plans on buying one of the dolls from Dwight for his daughter, but by the time he tries Dwight has just sold his last one to warehouse worker Darryl.  In a slightly uncomfortable scene rife with genuine emotion, a desperate, despondent Toby begs Darryl to let him have the doll.  Darryl happily sells it (at an even greater mark-up, naturally), only for Toby to discover that the doll he purchased is the African-American version.  It’s a great moment in which Toby struggles to keep his disappointment from registering lest he offend Darryl, and another hollow victory for the very Charlie Brownish character of Toby.

As you can see, TV shows have long utilized the Gotta Have It Toy trope to provide fodder for their Christmas episodes.  As tropes go it’s generally a successful one, as who among us hasn’t at one point in our lives longed for that one special toy upon which an entire Christmas’ success rests?  For me it was the Mighty Max Skull Mountain playset, which I coveted more than anything one Christmas. I can still summon up that “all is well in the world” feeling expressed by Ralphie in A Christmas Story when he finally lays hands on his Red Ryder BB Gun, a mixture of relief and joy I too felt upon ripping off the wrapping paper of my very own Skull Mountain.

CHRISTMAS SCENES IN NON-CHRISTMAS MOVIES

I thought I'd kick off the season by taking a look at some of my favorite Christmas scenes from non-Christmas movies.  While there are a preponderance of Christmas films, there are also a lot of non-holiday movies that nevertheless feature Christmas in some way.  Oftentimes it’s just a short scene; in films a Christmas scene or a glimpse of Christmas in a montage is a tried and true method to indicate the passage of time (like its movie device cousins, “Pages Flying Off A Calendar” and “The Spinning Newspaper”). 

Without further ado, here we go!

Mean Girls

Mean Girls is one of those (deservedly!) cult movies where nearly every scene and line of dialogue is remembered and repeated.  However I think it’s fair to say that the “Jingle Bell Rock” scene is especially memorable.  It’s funny, it’s sexy and it contains some important plot developments (ie the start of Gretchen’s fall from grace).  We also get at least one other Christmas scene, in which candy canes are delivered by Damian dressed as Santa, and the epic “You go Glenn Coco!” line is uttered.  Nick LOVES this line and can be found exclaiming it randomly year-round.

Yours, Mine and Ours (1968)

Let me begin with a warning: make sure to only ever watch the original movie, starring Lucille Ball, and not the shitty 2005 remake (which I’ve never seen, but is shitty by default exactly because it does not star Lucille Ball and is an unnecessary remake).  I love this movie in its entirety, and the Christmas scene, which comes towards the end, is amazing.  I’ve always been fascinated by the late 60s toys and decorations galore that appear in this sequence (that may become its own post in the near future) as well as the gingerbread cookies on the tree that one of the daughters devours.

Edward Scissorhands

Some may argue that this actually is a Christmas movie—but they’re wrong.  It has a lot of fairy tale elements and that wistful Tim Burton quality, but only the film’s finale takes place during the holidays.  Like the rest of the movie, the Christmas scenes are haunting, beautiful and melancholy.  The instrumental music in the “Ice Dance” scene has become a permanent part of my Christmas music playlist.

Martha, Inc.
You can't have a made-for-TV bio pic of Martha Stewart and not have at least one Christmas scene.  If you haven't seen this camp classic, starring Cybill Shepherd as the divine domestic diva, you're missing out (It's based on an even better book that's also worth your time).  Anyhoo, the Christmas scenes in this movie involve "Martha" berating her husband during a Christmas dinner video shoot, and then coming home to the beautifully decorated yet dark and empty Turkey Hill farmhouse, having been abandoned by her husband and daughter just in time for the holidays.  It may sound grim but it makes for some addictively good TV viewing!

The Trouble With Angels

I love, love, love this movie!  I grew up watching it so there’s a nostalgia factor at work here, but it’s truly a great movie on its own merits, and the couple of Christmas scenes are among the film’s best.  First we’re treated to the girls, all students at a Catholic boarding school, making Christmas art projects, which all have a delightfully funky 60s look to them.  In that same scene we’re also treated to a scrumptious-looking tray of holiday eclairs.  Then it’s off to the old folks’ home for a heartbreaking scene in which an elderly lady abandoned by her family on Christmas is comforted by Mother Superior.  YOU WILL CRY.  Finally it’s all wrapped up with another moving scene showing the sisters at a Christmas mass, with some beautiful caroling done by the nuns.  It doesn’t get more Christmasy than this!

This is just a sample of some of the many Christmas scenes to be found in non-Christmas movies.  This holiday season haul out your DVDs and skip ahead to some of the seasonal scenes just waiting to be watched!

FILM FOCUS: PLANES, TRAINS AND AUTOMOBILES

For every 20 or so Christmas movies there’s maybe 1 Thanksgiving equivalent.  TV shows are less discriminating when it comes to Christmas’ less commercial cousin, but the movie industry really hasn’t tapped into the November holiday.  I wrote at length last year about Home for the Holidays, one of the notable exceptions to this rule.  But if you were going to ask an Average Joe (or Jane) to name a Thanksgiving movie, most would probably mention Planes, Trains and Automobiles.

I’d seen only snippets of this 1987 film over the years, via its many showings on, so I was excited to finally sit down and watch the whole thing.  Surprisingly, I wasn’t aware that John Hughes wrote and directed it, though I quickly picked up on this while watching.  It has all of the Hughes hallmarks.  It co-stars John Candy and also features Edie McClurg, both of whom crop up in several of his films.  The storyline and humor, derived from a trip gone wrong at every turn, are reminiscent of other Hughes films like the National Lampoon series and The Great Outdoors (also starring Candy).   There’s even an idyllic red-brick, snow-bound house in the Chicago suburbs that is the virtual twin of the house seen in Home Alone.

Hughes’ movies may share many common themes but don’t get me wrong—I’m a huge fan of his work, both his writing and directing.  He had a unique gift of balancing the woes of modern life and sometimes brash or outright crude characters with a surprisingly sweet sentimentality.  This tone is perfectly struck throughout Planes, Trains and Automobiles, as acerbic businessman Steve Martin and a loutish (yet lovable) salesman played John Candy clash and then bond during their attempts to get home in time for Thanksgiving.

Predictably everything goes wrong for the two, from cancelled flights to rental cars bursting into flames.  They also encounter a delightful series of oddballs and enemies played by a who’s who of character actors from the 1980s.  The aforementioned Edie McClurg, always a favorite, has a memorable scene as a foul-mouthed rental car clerk.  Another favorite actress of mine, Susan Kellerman, plays a garishly made-up waitress.  I love movies that send me to IMDB after watching to look up the filmographies of various bit players.  And some not so bit players—a youngish Kevin Bacon has a small scene early on.

It’s not a perfect movie by any means; I’d rank it somewhere in the middle of Hughes’ oeuvre.  One of the film’s better known scenes, in which Martin and Candy share a bed, relies on dated gay panic “humor.”  This scene can be forgiven in light of the entire movie, which is ultimately a rather sweet love story between these two straight guys (with the aforementioned gay panic scene to reassure moviegoers that nothing physical is going on-- though Steve Martin is surprisingly foxy in this).

But wait—what about Thanksgiving?! Well, it’s around.  The whole movie takes place a couple days before the holiday, and ends on Thanksgiving Day, when we’re treated to a few fleeting, yet tantalizing, flashes of the perfect family gathering.   There’s lots of snow and Edie McClurg talks about preparing Thanksgiving dinner in her one scene.  And like any good Thanksgiving movie there’s a touch of Christmas as well—when the men eat in a diner there are already Christmas decorations in the background.  This pleases the yuletide fanatics like me, who know that Thanksgiving is just prelude to the holiday main event to come.