Showing posts with label Disney Channel. Show all posts
Showing posts with label Disney Channel. Show all posts

Sunday, September 17, 2017

FILM FOCUS: THE SCREAM TEAM

The Scream Team is one of many Halloween-themed Disney Channel original movies.  My only knowledge of it was that it co-starred Kathy Najimy as a ghost, and that was certainly enough to pique my interest.  Upon finally watching it yesterday (it first aired in 2002), I was pleased to discover that the Halloween-theme was prominent.  Too many of the “spooky” Disney Channel movies rely on supernatural elements and throw in a pumpkin or two in the background for Halloween cred.  The Scream Team actually takes place around Halloween and incorporates the holiday into the plot.

And what a plot!  What a convoluted, overly-complicated, disparate plot!  The movie begins by showing a grandfather’s corpse, dead in his chair as the paramedics arrive. I thought this was a weirdly bold (and potentially traumatizing) move for a Disney Channel movie.  We then cut to a flashback of the still-alive grandfather working on a pumpkin carving machine with his two grandchildren.  Between the early appearance of a corpse and pumpkin carving I had overly high expectations going in.

Things settled down quickly as the next thirty minutes were spent setting up the aforementioned complicated plot.  Dead grandfather was an inventor and former hardware store owner in a small New Englandy town called Steeplechase.  His adult son was embittered toward his father (I mean, really, REALLY bitter; he spent a lot of the movie complaining about his father) but his two grandkids loved him.  One of the grandkids is played by a young Kat Dennings, of Two Broke Girls and a few random movies fame.  I have never seen Kat Dennings play anything but a sarcastic wiseass and that’s what she’s doing here as well, though a milder pre-teen version.  She also engages in some of the worst, fakest on-screen running I’ve ever seen.  Meant to be running for her life in the woods at one point, she instead is laughing and sort of doing the chicken dance with her arms.  Even at a tender age, Kat Dennings was too steeped in irony to pretend to run for her life.
Eventually, after way too much set-up, the ghosts show up.  It’s hopelessly complicated, but in essence Grandpa’s ghost gets captured by a local evil spirit, and the kids track down some other ghosts to a limbo-like waystation for spirits.  The waystation is a total rip-off of the bureaucratic underworld seen in the movie Beetlejuice, down to the fact that the ghosts all appear in the same clothes they died in.  It’s an eclectic mix; spotted among the ghosts are cheerleaders, soccer players, a movie usher and a mime.  This movie would have you believe that people die constantly while engaged in their seemingly non-dangerous day jobs (which I don’t know—maybe that’s true?).

In short, the kids team up with a trio of ghosts who work at the waystation to rescue their grandfather’s spirit and usher him on to heaven (or potentially hell—this is never discussed in the movie.  The spirits just walk through a mirror into a sort of rainbow tunnel).  Erik Idle plays Coffinhead, a Revolutionary War ghost with bad teeth.  Kathy Najimy is the less-creatively-named Mariah, a ghost bride and sort of office manager.  And finally there’s Tommy Davidson as Jumper, a dead parachuter.  I’ve never seen Tommy Davidson in anything else before, but he was incredibly annoying in this.  He shouted all of his dialogue with an overload of sassiness.  Think of Chris Tucker’s character in Rush Hour, but even louder and sassier, and dressed as a parachuter.  Weirdly the ghosts only ever refer to themselves as “the Soul Patrol,” yet the movie is titled The Scream Team.

There is way, way more to the plot, involving a pyromaniac Pilgrim ghost with a thirst for revenge, a conspiring local businessman, stolen library books, an abandoned mine, the town’s first natural gas pipe system, and it goes on and on.  There is much running around with Erik Idle’s character disappearing every time the kids get into trouble, several run-ins with local cops, and the entire time the dad character is just bitching about not getting enough love and respect from his own father while his kids are fleeing for their lives (or in Kat Dennings’ case, chicken-dancing for her life) from a fireball-hurling spirit of vengeance.
Kathy Najimy (predictably, as she can do no wrong in my eyes) was the highlight, though of the three ghosts her role was the smallest.  She added some needed humor as the flustered office admin ghost who just wants to get on with her job, but at one point she morphs into a total bad-ass and has a supernatural showdown with the evil ghost and shoots ghost-lasers (or something) at him.  The special effects run the gamut; the shimmery, multi-colored flying ghosts are actually kind of cool, but there is also some laughably bad CGI fire throughout.
The other highlight of the movie is the Halloween décor and small-town festival.  Seriously, I love fictional small-town holiday festivals—call it the Stars Hollow effect.  Throughout the story the town is preparing for its annual Halloween festival, and we see truckloads of pumpkins and hay bales being delivered, and several trips are made to the most lavishly decorated library you’ll ever see (it even has a fireplace decked out with cobwebs, ravens and fake fall leaves).  The big finale takes place at the festival on Halloween, where the evil ghost hurls fireballs at the Ferris wheel and the locals burn a pumpkin-headed effigy.  As I wrote at the beginning of this overly long review, they certainly didn’t skimp on the Halloween décor.  Sadly they also didn’t skimp on the plot elements either, which were dizzying. 

The screenwriter (or writers) clearly had daddy issues since the movie essentially ends with the whiny dad sitting down with his father’s ghost for a heart to heart talk.  Those two kids risked life and limb for two hours to save their grandfather's immortal soul and then at the end when finally reunited with his ghost they say a quick goodbye and scurry upstairs to give their dad some private time to work out his feelings.  In the end, The Scream Team isn’t one of Disney Channel’s best Halloween offerings (I would give that award to Halloweentown), but it’s got a few things in its favor and makes for some good cheesy fun, with lots of nice glimpses at a New England town done up for Halloween.

Sunday, October 2, 2016

FILM FOCUS: MOM'S GOT A DATE WITH A VAMPIRE

This past summer the Disney Channel ran a marathon of all of their made-for-TV movies.  Of course I recorded and stockpiled all of the holiday-themed ones, and now that it’s October I’m finally able to start watching them.  I love a good Disney Channel original movie (or rather a so-bad-it’s-good movie), but I actually haven’t seen as many of these as I’d presumed.  Rather I just feel like I’ve seen them all, probably due to absorbing countless commercials for them over the years while watching other shows.  So while I was familiar with Mom’s Got a Date with a Vampire, this was my first time actually watching it.

The big draw here for me aside from the Halloween theme was Caroline Rhea, who I loved in her role as Aunt Hilda in Sabrina the Teenage Witch.  And I just find her generally likeable, and enjoy that she can never hide her Canadian accent no matter the role she may be playing.  The rest of the cast is impressive as well: Mr. Sheffield (Charles Shaughnessy) from The Nanny plays the titular vampire, while the dad (Robert Carradine) from Lizzie McGuire plays a vampire hunter.

I’ll try to keep the plot recap to a minimum: Caroline Rhea is a harried single mom with three kids.  The two older kids answer a personal ad on their mom’s behalf, figuring if she’s out on a date they’ll be free to sneak themselves.  Of course, just by reading the title of the thing you know Mom’s date turns out to be a vampire and so the kids and a semi-helpful vampire hunter must rescue her, all in the course of one night.

At a trim hour and a half (with commercials) this still lagged a bit, as the kids chased Mom and her vampire date around town, from a restaurant to a rockabilly dance club (more on that soon!), a harvest festival and then finally a lakeside mansion.  Of course the ending is a happy one, with Mom using the power of maternal love to break out her trance just in time to save her kids and seal the vampire back in his coffin.  The real fun here is in the Halloween details, which aren’t as omnipresent as I’d hoped.  But there are still lots of little Halloweeny things to appreciate, so let’s delve in.

By far the best scene of the entire movie was when Mom and the kids first met Mr. Vampire (aka Wolfsbane aka Dimitri) in a supermarket.  Sounds tame, I know, but this is THE GREATEST SUPERMARKET EVER.  Inside and out it is decorated to the max, mostly with these beloved Halloween die-cuts that my family also had when I was a kid.  You know the ones I’m talking about:
I had such fun identifying these decorations throughout the supermarket scene, and besides die-cuts galore the place boasted hay bales, jack-o-lanterns and a display of “Frankenstein cereal” (because Franken Berry is trademarked): 
When I was a kid going to the supermarket around Halloween and Christmas was such a treat, seeing all of the decorations and special displays.  I feel like stores don’t go as all out as they once did, and I miss those life-size cardboard cut-outs of Elvira hawking root beer or faux red-brick cardboard fireplaces at Christmastime.  This scene really made the movie for me, especially since outside of the supermarket scene the Halloween decorations were basically null.  There was nary a pumpkin on a porch for the rest of the movie, making me wonder if they decided to throw in the Halloween theme at the last minute, for just this one scene.

Which isn’t to say there wasn’t plenty of spooky stuff, because there was.  One of the kids is obsessed with a band called the Headless Horsemen, and wears a nifty Headless Horseman tee-shirt throughout (at one point it’s revealed his closet is nothing but this same tee-shirt in different shades).
Mom and Mr. Vampire have dinner at Renfield’s, a nice shout-out to the character of the same name in the original Dracula novel.  The Harvest Festival scene, however, despite its promising name, fell far short of the one portrayed on Parks & Recreation.  Aside from reusing some of the same hay bales and jack-o-lanterns seen in the supermarket, it was just a bunch of non-descript carnival rides and mud.  I noticed that the ground was basically one giant puddle, and some quick internet research revealed the movie was filmed in Canada and they mostly couldn’t show the actors’ feet due to the mud and water.

There’s one last thing worth discussing about Mom’s Got a Date with a Vampire, and that’s the aforementioned rockabilly dance club scene.  For the unfamiliar, rockabilly is sort of a countryish 50s rock subgenre.  First off, a rockabilly dance club is a really random thing to have in a Disney Channel movie aimed at preteens.  The scene featured a real-life rockabilly band called The Royal Crowns, and they play several songs.  Part of Mom’s backstory is that she was once a singer in a band, so she ends up stage to sing.  I’ve never known Caroline Rhea to sing in any of her roles, so I was surprised—until she started singing in a totally different woman’s voice.  I mean, they didn’t even try to find someone who sounds remotely like Caroline Rhea.  It’s definitely up there as one of the worst dubbed scenes I’ve seen (and since I watch a lot of made-for-TV and B-movies, I’ve seen some doozies over the years).  But it’s exactly cheesy scenes like these that make this type of movie so much fun.

So while this could have been a lot heavier on the Halloween theme, there’s a lot of fun to be had, especially if, like me, you’re a fan of 90s sitcom stars, supermarket decorations and rockabilly.


Rock on, Mom!

SPECIAL SPOTLIGHT: NICKELODEON'S ULTIMATE HALLOWEEN HAUNTED HOUSE

I was recently traveling for work, which meant I was cut off from our TIVO and forced to watch TV in real time in my hotel room, sufferin...